Guess the fairy tale by emoji

Cinderella — The glass slipper is a Perrault addition from 1697 — earlier tellings of the story, including many of the 500-plus variants folklorists have traced worldwide, don't have it at all.

Little Red Riding Hood — Charles Perrault's 1697 version ends with the wolf simply eating the girl — no huntsman, no rescue. The Brothers Grimm bolted on the happy ending more than a century later.

Snow White — In the Grimm brothers' original 1812 telling, the jealous queen doesn't ask the huntsman for a heart as proof — she wants the girl's lungs and liver, to eat.

Three Little Pigs — Folklorist Joseph Jacobs wrote down the huffing-and-puffing version most people know in 1890, though the story itself had already been circulating in English nurseries for decades.

Jack and the Beanstalk — The story didn't pick up its famous 'Fee-fi-fo-fum' chant until an 1807 telling — English versions of a boy climbing to a giant's home go back to at least the 1730s.

Goldilocks and the Three Bears — The original 1837 version, written by the poet Robert Southey, didn't star a girl at all — the intruder was a bad-tempered old woman. Goldilocks herself only showed up decades later.

Rapunzel — The Grimms actually toned their own story down between editions — the 1812 original has the witch figuring out the secret visits because Rapunzel's clothes stop fitting.

Hansel and Gretel — The Grimm brothers published it in 1812, close to a real famine era in Europe — parents unable to feed their children wasn't pure fantasy to that first audience.

The Ugly Duckling — Hans Christian Andersen wrote it in 1843, and his biographers have long read it as a stand-in for his own awkward, mocked childhood before he found his footing.

Pinocchio — Carlo Collodi's original 1881 serial was darker than the puppet most people picture — an early installment ends with Pinocchio hanged from an oak tree, and only reader demand talked Collodi into continuing.

Sleeping Beauty — Perrault's 1697 version doesn't stop at the kiss — it keeps going into a second half where the prince's own mother, an ogress, tries to eat his new wife and children.

Beauty and the Beast — The story everyone knows is actually an abridgment. Gabrielle-Suzanne de Villeneuve wrote a much longer original in 1740, and Jeanne-Marie Leprince de Beaumont trimmed it into the version that stuck, in 1756.

The Tortoise and the Hare — It's one of Aesop's fables, credited to a Greek storyteller who may not have even been one real person — 'Aesop' likely collects centuries of oral tales under a single name.

Puss in Boots — The cat's earliest print appearance is Italian, from Giovanni Francesco Straparola in the 1550s — Charles Perrault's more famous telling came over a century later, in 1697.

The Little Mermaid — Andersen's 1837 original doesn't end at a wedding — the mermaid loses the prince, refuses to kill him to save herself, and dissolves into sea foam instead.

The Emperor's New Clothes — Andersen adapted it from a much older story — a 14th-century Spanish tale about a king fooled by weavers who claim their cloth is invisible to anyone unfit for their job.

The Frog Prince — In the Grimm brothers' original, there's no kiss at all — the princess breaks the spell by furiously throwing the frog against a wall.

Aladdin — Aladdin isn't in the oldest Arabic manuscripts of One Thousand and One Nights — a Syrian storyteller named Hanna Diyab told it to a French translator in 1709, who then added it to the collection himself.

The Boy Who Cried Wolf — It's credited to Aesop, which means it's been teaching the same lesson about lying for something like 2,500 years.

Thumbelina — Hans Christian Andersen published her in 1835, in the early batch of tales that made his name — and unlike Cinderella or Snow White, she has no older folk version sitting behind her.