Guess the Disney movie by emoji

Moana — She sails past the reef her whole village fears, guided by her grandmother's ghost and a chicken with zero survival instincts.

Aladdin — Three wishes, one lamp, and he spends the first one turning himself into a prince he then has to keep lying about all night.

The Little Mermaid — She trades her voice for legs, which remains the worst deal any Disney character has ever signed.

Cinderella — Midnight is a hard deadline and she still leaves a shoe behind — rough night for someone with a fairy godmother on retainer.

Snow White and the Seven Dwarfs — Seven dwarfs warn her not to trust strangers, and the first apple a stranger hands her is the one that gets her.

Zootopia — Predator and prey crack a case the whole department already wrote off, mostly by refusing to hate each other.

Mulan — She fakes being a man to save her father's life and turns out to be better at war than any of the actual soldiers.

Tangled — Seventy feet of hair turns out to be a rope, a nightlight, and a weapon, all before the lanterns even show up.

Coco — One kid sneaks into the land of the dead over a family guitar ban, and it's somehow the tenderest movie on this list.

Up — Balloons over a retirement home was always going to win, given the alternative.

Ratatouille — Paris's best new chef is a rat steering a line cook by the hair, which no health inspector survives hearing about.

Monsters, Inc. — Turns out screams were the inefficient energy source the whole time. Laughter was sitting right there.

Inside Out — Joy spends the whole runtime learning that Sadness isn't the enemy, which is a lot of insight for a movie aimed at nine-year-olds.

Encanto — Every cousin gets a magic gift except one, and she's the only one who notices the house is actually cracking apart.

WALL-E — Barely two hundred words pass between them and it's still the most romantic thing Pixar's ever made.

Cars — Getting stranded in a town the interstate bypassed fixes this rookie faster than any race ever could.

Brave — Turning her mother into a bear is, weirdly, this princess's most reasonable move all movie.

Luca — Two sea monsters spend a summer passing as human for pasta, a Vespa, and a bike race worth the risk of exposure.

The Princess and the Frog — Kissing the frog prince turns her into a frog too — the one twist this genre never saw coming.

Soul — A jazz pianist dies, argues his way out of the afterlife, and spends the whole movie learning the point was never the gig.